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Baby Driver
Well, I made it. And by that I mean I survived 2 weeks of very intense Avid editing. On a very intense show. Having not touched Avid since the mid 1990s it was always going to be intense. So without further ado here below be my experience over the last 2 weeks of intensity. But
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Serenity
i love new technology. I especially love it if it saves time and energy. I am a big fan of the software that #digitalrebellion make. I have many of the products, #cutnotes being my favorite but I also use the #promaintenancetools which is incredibly useful for editors. The reason I bring this up is I
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Love Actually
So Apple have just launched 10.2 of FCPX. Wow 15 versions in 3 years I think it is and that is some achievement especially as every time they launch a new version there are massive changes and also some not so massive changes. Yes we still want audio roles and subroles and switching off the
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The Butler
I have just put the finishing touches of my cut of episode 5 of the TV Show Ayeye which is to be broadcast in 2 weeks on DSTV’s youth channel Vuzu Amp. It’s a 48 minute drama with lots of dialogue. It’s centered around 3 mid 20 year old boys (read playas) who work in
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Superman Returns
So… FCPX when it was launched was an absolute pig of a programme. Even the legend that is Walter Murch was going “what the fuck?” when it was launched a few years ago. I have been cutting on non-linear systems since 1994. I was the very first editor in South Africa to edit a TV
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#FCPX #postproduction #setlife #videoediting #workinginpost adobe Anecdote apple avid behind the scenes cut notes day in the life digital rebellion editing fcp film Final Cut 10 final cut pro nle post post production premiere pro stories from the edit suite technology television televison post production tv video video editing work


